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words
"I may think of you softly from time to time. But I'll cut off my hand before I ever reach for you again." - Arthur Miller, The Crucible

sounds

- Out of Phase, OST from Parasite Eve (1998)


MUSIC REVIEW
by Fall Out Boy



Genres: Emo, Pop-Punk, 2000s, Alt Rock, Rock, Pop rock, Contemporary R&B

This, to me, is the Album of all Time. Song-by-song breakdown coming soon!
by Fit For Rivals



This is Fit For Rivals’ debut album, and in my opinion displays some of the best that alt rock had to offer at this time. I only wish I had been listening to these folks in 2009, but it still scratches that same itch for me today.

Right from the jump in ‘Crash’, I am enamored with Renee Phoenix’s raspy and grungy vocals. There is a grit to her performance that I am so drawn to. This continues to ring true as the album goes on, and is such a satisfying and cohesive experience. Some of my favorites from this are ‘Damage’—which is fully a banger but also has a great bridge—and ‘Can’t Live Without You’, whose lyrics display a vulnerability that is a nice contrast to the hard edges of the instrumentals and Renee’s vocals.

I think the first song I ever heard from Fit for Rivals was the closing track of this album, ‘Cut Off Your Hands’, and it’s just so *catchy!!* The kind of song that makes me want to scream, “open up the pit!!!!!!”

Great time capsule of the era, definitely recommended.
by Fit for Rivals



Genres: Emo, Pop-Punk, 2010s, Alt Rock

‘Hit Me’ is an electric opener with some amazing howling from Renee that really sells the edge of this track. And it’s not too edgy either, it’s just plain fun.

‘Light That Shines’ - reading the lyrics on their own, you’d expect this one to be a bit cheesy—and maybe it is, maybe a little saccharine, but I really think it works. Not a stand out, but a good song.

‘Gave It Away’ - oh no! Slut-shaming the song! But really, this one is fine. I could almost mistake this for a Metric song if it wasn’t for Renee’s unique and scratchy voice. A very bass-forward song, which seems unusual for this band, but works for the track!

‘Special Kind of Crazy’ is probably my favorite Fit For Rivals song; there is something so visceral about her delivery of, “I want inside your broken heart” and “I want you near/I want to be inside of you!” The lyrics themselves are so simple but her delivery makes it feel so pleading and desperate, reciprocal but just so deep in the narrator’s feelings that this sort of mantra is all they can manage.

‘Freak Machine’ - another one of my favorites, this one is super fun. Not a lot to say about it, but its a strong song.

‘Novocain’ - Something about this song’s lyricism bothers me—perhaps the verses feel a little droning, the rhymes and form of them just simple and sort of teenage in their word choice…that being said, the chorus has a tendency to worm its way into my brain, so I it definitely succeeds at something there!

‘Gimme the Pain’ - not a standout track to me, sadly

‘Agent Orange’ - I feel like this one could grow on me if I let it, but it’s also not really a standout to me

‘I Am’ - a fun one :^) With lines proclaiming the narrator as both “what you desire in every way” and “the worst mistake you will ever make”, it paints a picture of a chaotic relationship that you keep coming back to, and something about this song just makes me feel like you’re watching some young punks get rowdy in a bar. Fun is really the best word for it, I think!

‘The Devil (Inside)’ - I’ve had a soft spot for this song since I first heard it…there’s a sincerity to it that I am drawn to. The vocals, the slow bass melody, the drum’s crashing cymbals that get faster and harder as you approach the chorus—it really reflects the apathy of losing yourself and then the catharsis of realizing how far you’ve sunken.

It’s interesting to really put into context that this is the closing song of the album, when so many of these tracks have been high energy, so many where the narrator is steadfast and confident even while proclaiming their faults, this is like a final look behind the curtain that I really enjoy.
by Blur



Genres: Britpop, 90s, Indie, Shoegaze

Because i love Damon Albarn's vocals in Gorillaz so much, i thought i should listen to more of his Blur stuff. However...i wasn't very impressed by this album. The instrumentals, though they are technically good, feel drowned in the soupy, slow syrup of Damon’s voice. Usually i like this quality of his vocals, but i think it's because in Gorillaz tracks it's usually juxtaposed against something high energy or unexpected or experimental or genre bending. Here, both the instrumentals and the vocals having that languid quality just makes the whole experience a little dull/droning for me. I also find the lyricism a little too simple.

Anyways I had to really push myself to finish this one. 3 stars
by Blur



Genres: Britpop, 90s, Alt Rock, Shoegaze

I'm so glad i listened to Blur's self-titled album right after listening to Leisure (see above entry), because i like this one a lot better. They had a whole five years to grow musically, and it absolutely shows.
by Tyler the Creator



Genres: Hip Hop, Rap, R&B, 2020s